For the most part, 99 percent of jazz is boring; you've heard it before. People aren't doing anything creative that's extremely modern. They tend to always be like "Let's do a tribute to Miles Davis!" All the new albums are tributes to history. It becomes too much at a certain point, it leaves us waving like "Hello? I'm alive, I'm here!" You know? So I really do feel like it needs some spice, it needs to be relevant to today's times, today's people, today's sound.

I think the people who are saying jazz has to sound a particular way, or "what you're doing isn't jazz," are just scared because they can't do it. A lot of them just aren't talented enough to do anything new, honestly. It's the people who are talented enough and who have the open mind and who are forward-thinkers are the ones who are doing something new. You tend to hate on what you can't produce.

I do feel a responsibility because most people like me that are my age or younger, they don't quite make it over to the jazz side. They flirt with it, but they don't quite marry it.

I think there's good music out there. I just think that radio stations don't play it.

When I hear the words jazz pianist, that just means I have the skills to do most things. Because to be a jazz pianist, even to be a bad jazz pianist, you have to be pretty good.

I grew up in church. That's how most young African American musicians learn how to perform. You could be six years old and playing organ or drums in front of thousands or hundreds of people.

A lot of times, jazz musicians try to educate people. What other genre does that?