There should be two main objectives in ordinary prose writing: to convey a message and to include in it nothing that will distract the reader's attention or check his habitual pace of reading - he should feel that he is seated at ease in a taxi, not riding a temperamental horse through traffic.

The function of poetry is religious invocation of the muse; its use is the experience of mixed exaltation and horror that her presence excites.

Fact is not truth, but a poet who wilfully defies fact cannot achieve truth.

To know only one thing well is to have a barbaric mind: civilization implies the graceful relation of all varieties of experience to a central humane system of thought. The present age is peculiarly barbaric: introduce, say, a Hebrew scholar to an ichthyologist or an authority on Danish place names and the pair of them would have no single topic in common but the weather or the war (if there happened to be a war in progress, which is usual in this barbaric age).

Marriage, like money, is still with us; and, like money, progressively devalued.

Hardly one soldier in a hundred was inspired by religious feeling of even the crudest kind. It would have been difficult to remain religious in the trenches even if one had survived the irreligion of the training battalion at home.

Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.