I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and - if he is lucky enough - know the love of an honest woman.

If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.

Love is a universal migraine. A bright stain on the vision, Blotting out reason.

The function of poetry is religious invocation of the muse; its use is the experience of mixed exaltation and horror that her presence excites.

Since the age of 15 poetry has been my ruling passion and I have never intentionally undertaken any task or formed any relationship that seemed inconsistent with poetic principles; which has sometimes won me the reputation of an eccentric.

No honest theologian therefore can deny that his acceptance of Jesus as Christ logically binds every Christian to a belief in reincarnation - in Elias case (who was later John the Baptist) at least.

Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.