Creative Endeavors are by their nature uncertain.

Even if it's a "talking head documentary" about a social movement or something along those lines, I've always thought of editing the timing and the sense of the piece for the theatrical experience.

I'll probably take the prize for the most irrelevant degree. Although some of the things now where they study, you know: "post feministic colonial film theory" - those kind of majors, yeah, that's probably worse. But I was, you know, classics, Greek and Latin, like what's more irrelevant than dead languages, you know?

I have sort of issues with my claustrophobia where being on an airplane or if I force myself, to put myself in these circumstances that I kind of, am afraid of, that can be a way to toughen me up.

I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.

Only your hearts be frolic, for the time Craves that we taste of naught but jouissance.

Ah! what is love! It is a pretty thing, As sweet unto a shepherd as a king, And sweeter too; For kings have cares that wait upon a crown, And cares can make the sweetest love to frown.