Even if it's a "talking head documentary" about a social movement or something along those lines, I've always thought of editing the timing and the sense of the piece for the theatrical experience.

The music business is just the worst as far as Machiavellian, sharky, evil games going on, as far as manipulation.

When it comes to mastering a skill, time is the magic ingredient.

Her lips are roses over-washed with dew, Or like the purple of Narcissus' flower; No frost their fair, no wind doth waste their power, But by her breath her beauties to renew.

There's a real tension between it being a collaborative art process, which is almost like performance art of yourself, and, as we talk about the movie, it's kind of a mix between melodrama and cinéma vérité. This involves ideas about playing the role of yourself and the movie of your life and all these other things.

A mind content both crown and kingdom is.

I believe that everybody was born with a kind of uniqueness. There is never going to be somebody else with the same DNA as you, with the same experiences. There is something that you were meant to do as an individual. You have some kind of creative skill. It can either be creating your own business in some level, being a writer, an artist, whatever, or it can even be working within a company, but from within that company you're creating something.