A few years ago, for my birthday, Sean Price Williams said, "I'll give you one free day of shooting." He shot Kati with an I and co-shot Fake It So Real. While we've always worked together, I didn't want him to do it for free, so he cashed in his birthday chip and came for this one day.

I have examples of people who find their way back later on in life, in their 30's, 40's, it can happen in your 50's, I'm sure it can. It's not really a science. It's maybe more of an art.

We [with Brandy Burre ] like fifteen feet away from each other. You can see my house and my car in pretty much every exterior shot in the movie. It was like filming at my extended house. My kids and her kids are the same age and they're best friends. Every summer they play with each other. We were intensely close friends beforehand in part because we take care of each other's kids.

I don't want to promote paranoia. It's not like wow, everybody is after me. You know that's not going to be very powerful. A person like Stalin was like that and he was powerful, but it ended up completely destroying him because he couldn't trust anyone.

I want my movies to play in movie theaters. While festivals can fulfill a part of that, there's nothing like getting a week-long run for your movie. It's becoming increasingly difficult to get that.

You're not going to be persistent and tenacious enough if you don't love what you're doing. If it's not something that excites you, that appeals to you deep down inside.

The dreamers, those who misread the actual state of affairs and act upon their emotions, are often the source of the greatest mistakes in history-the wars that are not thought out, the disasters that are not foreseen