Along the way, a lot of filmmakers get rid of things that are messy or don't fit in some ways. To me, I want to work with serendipity and things we happened upon. That's our job, that's what the form demands.

Life goes by very fast. And the worst thing in life that you can have is a job that you hate, that you have no energy in, that you're not creative with and you're not thinking of the future. To me, might as well be dead.

I want to be able to write, that's my first love and I don't want to deviate from it even though I probably could have made a lot more money.

We're selfish to some degree, that's not a criticism and it doesn't mean that we are all narcissists. But in any situation our minds naturally evolve to what's in it for me? How does this affect me? Can this benefit me? Can this harm me? Then we might move on from that and have a more altruistic point of view about things but that's almost always our initial response.

In some ways, the documentary form is a kind of trap and so is societal norms.

When you have any kind of success in life, that's like the most dangerous moment that you're in because you're going to tend to think wow, I can just keep repeating what I've done. I'm a great person. People love me. All of the sudden they're giving me all of this attention. You get drunk on it and you lose your sense of balance and your sense of detachment. I know it's happened to me.

I have the point that everybody essentially have these unique set of DNA you have. There's something different about you genetically. You are unique is what I am trying to say - the combination of experiences and emotions you have felt are never repeated.