What liberates the imagination is the sense that work in its theory and practice holds aesthetic possibilities, that jobs can be elegantly conceived and gracefully done. This sense of beauty unlocks feelings of pleasure and love and breaks down the barrier between worker and work and commit to work not merely the "thinking" consciousness but the full resources of mind.

At pains to define liberty, that most resolute of indefinables, our minds fall back on spatial images; on birds, sailboats, and mountains; the untethered balloon, the blue sky, the nude figure.

We commonly think of freedom as the ability to define alternatives and choose between them. The creative mind exceeds this liberty in being able to redefine itself and reality at large, generating whole new sets of alternatives.

The future is like the daytime moon, a diffident but faithful companion, so elegant as to be almost invisible, an inconspicuous marvel.

Such self-transformation is the most difficult and dangerous challenge to the imagination, and it is the most rewarding. Meeting it is only possible for the person whose mind is open to contradictions and well-practiced in free conjecture.

Happiness may well consist primarily of an attitude toward time.

The recalling of beautiful things, whether they are your own experiences or the acheivements of others, is a creative act. Simple ideas can be restated by rote; but profound ideas must be recreated by will and imagination.