I was never in a school situation where someone said, This is the way a photograph is supposed to look. I was completely open to cut them up, or do anything like that. I think if I had been in touch with people earlier, then I wouldn't have felt comfortable doing that. It would have been too bizarre.

Some of my enthusiasm for the [found] photograph was based on the fact that there was some residual illusion of reality in it always, no matter what I did to it.

I am interested in what I term gestalts; picture circumstances which bring together disparate images or ideas so as to form new meanings and new configurations.

There is a great difference between shooting a photograph and making a photograph.

I was never in a school situation where someone said, This is the way a photograph is supposed to look. I was completely open to cut them up, or do anything like that. I think if I had been in touch with people earlier, then I wouldn't have felt comfortable doing that. It would have been too bizarre.

There is a vast difference between taking a picture and making a photograph.

An aspect of the work has to do with altering the literal/cultural meaning of existing public images by making minimal changes and additions. Using superimposition, juxtaposition and other contextual changes, I am functioning as a visual guerrilla.