And I saw Australia anew through her eyes. And I realised what a tremendously thrilling country it was. And ever since then I have been coming back regularly.

I was always nervous about coming back to Australia which was a complete hangover of the days when I left when ballet was not accepted, when I was not accepted, when I was considered a freak for wanting to be a ballet dancer. And, to be 100% honest, I rather dreaded coming back.

People often say to me - how clever you are! How brilliant to be able to go from ballet to theatre as you do. I answer that it is not clever at all. It is the gift of looking at oneself coolly, of calculating the future objectively. I could see the danger signals as far as ballet was concerned before anyone else did, that's all.

Aren't all ballets sexy? I think they should be. I can think of nothing more kinky than a prince chasing a swan around all night.

I don't despair about the cultural scene in Australia because there isn't one to despair about.

I think you can be contemporary without taking your clothes off.

Theatre remains the only thing I understand. It is in the community of theatre that I have my being. In spite of jealousies and fears, emotional conflicts and human tensions; in spite of the penalty of success and the dread of failure; in spite of tears and feverish gaiety this is the only life I know. It is the life I love.