An artist must first of all respond to his subject, he must be filled with emotion toward that subject and then he must make his technique so sincere, so translucent that it may be forgotten, the value of the subject shining through it.

There are pictures that manifest education and there are pictures that manifest love.

The big painter is one who has something to say. He thus does not paint men, landscape or furniture, but an idea.

All manifestations of art are but landmarks in the progress of the human spirit toward a thing but as yet sensed and far from being possessed.

The object, which is back of every true work of art, is the attainment of a state of being, a state of high functioning, a more than ordinary moment of existence. In such moments activity is inevitable, and whether this activity is with brush, pen, chisel, or tongue, its result is but a by-product of the state, a trace, the footprint of the state.

In great art there is no beginning and end in point of time. All time is comprehended.

It is harder to see than it is to express. The whole value of art rests in the artist's ability to see well into what is before him. ... The model will serve equally for a Rembrandt drawing or for anybody's magazine cover. A genius is one who can see. The others can often 'draw' remarkably well. ... Those who get their technique first, expecting sight to come to them later, get a technique of a very ready-made order.