I have things planned for every character like what they're doing down the road and coming to different realizations but I don't have how they overlap.

You kill -- You die." That was probably the most naive thing I've ever said. The fact is -- in most cases, NOW, the way things are -- you kill -- you LIVE.

I want to spend my time exploring the characters we've already got here. I want to give them more time to shine before the team gets to have 400 members.

I don't presume to think I'm great at anything.

In a world ruled by the dead, we are forced to finally start living.

Fights in real life between real people only last so long before someone gets seriously hurt.

When you write comic books and when you are writing for television, you're not writing the end product, you are writing notes for someone else to make the end product essentially. My scripts are just directions for the artist to draw pages and the pages are what is seen. I kind of feel like it's a safety net, you're able to hide behind the art to a certain extent, and in television you're able to hide behind the actors and the production, but with novels, your words are it