The great thing about doing a show in New York is that you can work until the night before.

I started realizing I have enough history that some of it has been forgotten.

The great thing about doing a show in New York is that you can work until the night before.

And I'm sort of deconstructing the process of what marks came first, what came later. Every aspect of the image is interesting to me to dissect and understand.

It's weird making a drawing of painting. I start to realize that charcoal is this incredibly fragile material. I'm making images of paintings out of dust.

I'm trying to find answers. It can be quite frustrating, but at the same time, I'm never quite satisfied with what I'm doing, so I'm always looking for the next thing.

An artist can have an intention, but the viewer has their own subjective experience.