The thing that's interesting as you get older as an artist is that the biggest challenge seems to be: how do you stay relevant?

You make the work for yourself first and the next line is the people you trust, and you know that they're going to tell you what they feel. They let you know if you're dishing bullshit or if it's real.

It's been like therapy to be able to play music and not embarrass my children too much. They've come to a bunch of the shows. It's kind of cool. I'm glad they like it.

The translation process becomes a highly subjective thing - turning reds and blues into black-and-whiteness. It's really bizarre for me.

I made a body of work, which was like trying to make movies on a wall and was made up of all different images and materials. I had the aspiration to make movies because I thought that was the cycle. I had this insane egomaniac idea that I could make movies because I made these gigantic art projects.

I always imagine that I want to make art that is going to kill you,whether it’s going to do it visually or physically, I’ll take either way.

When I look back on everything I've done, it all somehow makes sense to me. But it doesn't make sense when you're actually doing it.