The thing that's interesting as you get older as an artist is that the biggest challenge seems to be: how do you stay relevant?

An artist can have an intention, but the viewer has their own subjective experience.

The great thing about doing a show in New York is that you can work until the night before.

If you're fortunate enough with your history, like with Men in the Cities, your work becomes so absorbed in culture that the authorship of it doesn't exist anymore.

I think the pursuit of trying to understand things is really a critical issue. I see the issue of life and death in everything I do. I'm trying to find answers. It can be quite frustrating.

When I look back on everything I've done, it all somehow makes sense to me. But it doesn't make sense when you're actually doing it.

I started realizing I have enough history that some of it has been forgotten.