I like setting up problems for the viewer, like how do you visually deal with a ring when what’s usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.

I like setting up problems for the viewer, like how do you visually deal with a ring when what’s usually in the center of a painting is very important? It's like the main course isn't there and you're having to deal with everything around what would normally be the main course.

Art feeds off art...and artists feed off artists.

I am attracted to generic or 'industrial' colours; paper bag brown, file cabinet gray, industrial green, that kind of thing.