Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.

Are there not hours of an immortal birth,— Bright visitations from a purer sphere, That cannot live in language? Is there not A mood of glory, when the mind attuned To heaven, can out of dreams create her worlds?—

The flood will lift the ghosts from the Hollywood lawn cemetery and they will disappear like ether in the now dead air. All the names will be erased from the billboards and the theatres and the piers and the magazines and the monuments. You live by myths of immortality, and your myths are not safe.

Free healthcare and free and equal education and peace are about the only things I passionately believe in, and I think if you don't believe in those but you go to church on Sunday then that's hypocris.

...but when The Spirit speaks,—or beauty from the sky Descends into my being,—when I hear The storm-hymns of the mighty ocean roll, Or thunder sound,—the champion of the storm!— Then I feel envy for immortal words, The rush of living thought; oh! then I long To dash my feelings into deathless verse, That may administer to unborn time, And tell some lofty soul how I have lived A worshipper of Nature and of Thee!

My advice to you concerning applause is this: enjoy it but never quite believe it

I am really interested in who owns ideas of religion. What if I say I'm a libertarian, socialist, Occupy-supporting, anti-war, Christian? Is that a controversial idea? I don't see anything really in the original semiotics of Christianity, in the specific parable of the radical socialist Jew from Galilee who becomes the hero figure in the Homeric-word-of-mouth-gossip-novel that becomes the Bible that should make that a paradox.