Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.

Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.

How oft, - be witness, Guardian of our days!... The sky besprinkled o'er with rainbow hues, As if angelic wings had wanton'd there.

Are you really listening... or are you just waiting for your turn to talk?

Say, care-worn man, Whom Duty chains within the city walls, Amid the toiling crowd, how grateful plays The fresh wind o’er thy sickly brow, when free To tread the springy turf,— to hear the trees Communing with the gales,—to catch the voice Of waters, gushing from their rocky womb, And singing as they wander... Spring-hours will come again, and feelings rise With dewy freshness o’er thy wither’d heart.

A universal beauty clothes the world, And one heart seems to beat for all mankind!

Are there not hours of an immortal birth,— Bright visitations from a purer sphere, That cannot live in language? Is there not A mood of glory, when the mind attuned To heaven, can out of dreams create her worlds?—