Oh! weep not that our beauty wears Beneath the wings of Time; That age o'erclouds the brow with cares That once was raised sublime... But mourn the inward wreck we feel As hoary years depart, And Time's effacing fingers steal Young feelings from the heart!

Say, care-worn man, Whom Duty chains within the city walls, Amid the toiling crowd, how grateful plays The fresh wind o’er thy sickly brow, when free To tread the springy turf,— to hear the trees Communing with the gales,—to catch the voice Of waters, gushing from their rocky womb, And singing as they wander... Spring-hours will come again, and feelings rise With dewy freshness o’er thy wither’d heart.

A universal beauty clothes the world, And one heart seems to beat for all mankind!

Earth, air, and ocean, glorious three.

Oh! none are so absorb'd, as not to feel Sweet thoughts like music coming o'er the mind: When prayer, the purest incense of a soul, Hath risen to the throne of heaven, the heart Is mellow'd, and the shadows that becloud Our state of darken'd being, glide away.

My advice to you concerning applause is this: enjoy it but never quite believe it

I'm not avoiding your question on my relationship to the fashion world or my work being shown in a fashion setting. My work's most often seen in the streets on billboards. I don't know if it being seen in a shop is any much different.