Part of what I do is a craft, but part of what I do is a science. And I guess the craft comes in knowing what science to use and what science not to use.

My training as an engineer has enabled me to design the stuff, but the reason I do it is not to make music but for the opportunity to work with musicians.

One always has to remember these days where the garbage pail is, because it's so easy to make sounds, and to put sounds together into something that appears to be music, but it's just as hard as it always was to make good music.

I was never worried that synthesizers would replace musicians. First of all, you have to be a musician in order to make music with a synthesizer.

What inspires me is not so much the music as the opportunity to interact with composers. I think that has driven everything I've done.

By the time I got to building synthesizers, I had perhaps 20 years experience building electronic musical instruments.

Back in the 40s and early 50s, building simple electronic projects was a popular hobby of many people. Back then, you could buy, you know, a few parts and - with tubes and build something on your kitchen table, and it would actually work.