In printmaking, I essentially use the same process as in painting with one important exception ... to try, with sensitivity to the medium to emphasize what printing can do best ... better than say, painting or collaging or watercolour or drawing or whatever ... Otherwise, the artist expresses the same vision in graphics that he does in his other work.

Painting that does not radiate feeling is not worth looking at. The deepest-and rarest-of grown-up pleasures is true feeling.

In printmaking, I essentially use the same process as in painting with one important exception ... to try, with sensitivity to the medium to emphasize what printing can do best ... better than say, painting or collaging or watercolour or drawing or whatever ... Otherwise, the artist expresses the same vision in graphics that he does in his other work.

If you can't find your inspiration by walking around the block one time, go around two times-but never three.

It's not that the creative act and the critical act are simultaneous. It's more like you blurt something out and then analyze it.

For me, the sketchbooks are more like a secret and wholly spontaneous jeu d'esprit and some of them I like as much as anything I have ever done. They are invariably without premeditation. I mean not only that I have no plan when I make them, I also have no plan to make them.

Without ethical consciousness, a painter is only a decorator.