Strong emotional experiences are for the most part impersonal. Anyone who has hated another person so much that only chance stands between that person and death knows this, as does whoever has fallen into the catastrophe of a deep depression, anyone who has loved a woman to the dregs, anyone who has beaten others bloody or ever come up behind another person with muscles trembling. "Losing one's head," language calls it. Emotional experience is, in itself, poor in qualities; qualities are brought to it by the person who has the experience.

... the structure of a page of good prose is, analyzed logically, not something frozen but the vibrating of a bridge, which changes with every step one takes on it.

We have gained reality and lost dream. No more lounging under a tree and peering at the sky between one's big and second toes; there's work to be done. To be efficient, one cannot be hungry and dreamy but must eat steak and keep moving.

Time, which runs through the world like an endless tinsel thread, seemed to pass through the centre of this room and through the centre of these people and suddenly to pause and petrify, stiff, still and glittering... and the objects in the room drew a little closer together.

... we engage in politics because we don't know anything. This is clearly revealed in the way we go about it. Our parties exist from a fear of theory. The voter fears that one idea can always be contradicted by another. Therefore the parties reciprocally defend themselves against the few old ideas they have inherited. They don't live from what they promise, but from frustrating the promises of others. This is their silent community of interests.

All still lifes are actually paintings of the world on the sixth day of creation, when God and the world were alone together, without man!

Life forms a surface that acts as if it could not be otherwise, but under its skin things are pounding and pulsing.