His answers were quite often like that. When she spoke of beauty, he spoke of the fatty tissue supporting the epidermis. When she mentioned love, he responded with the statistical curve that indicates the automatic rise and fall in the annual birthrate. When she spoke of the great figures in art, he traced the chain of borrowings that links these figures to one another.

... nothing is more human than substituting the quantity of words and actions for their character. But using imprecise words is very similar to using lots of words, for the more imprecise a word is, the greater the area it covers.

To love something as an artist ... means to be shaken not by its ultimate value or lack of value, but by a side of it that suddenly opens up. Where art has value it shows things that few have seen. It's conquering, not pacifying.

Every word wants to be taken literally, else it decays into a lie. But one mustn't take any word literally, else the world becomes a madhouse.

Ideology is: intellectual ordering of the feelings; an objective connection among them that makes the subjective connection easier.

I also believe that few people remain completely untouched by the thought that instead of the life they lead there might also be another, where all actions proceed from a very personal state of excitement. Where actions have meanings, not just causes. And where a person, to use a trivial word, is happy, and not just nervously tormenting himself.

...love must be regarded as one of the religious and dangerous experiences, because it lifts people out of the arms of reason and sets them afloat with no ground under their feet.