There’s something about Olivia de Havilland that has always set her apart from other actresses. Maybe it’s the combination of warmth, sensitivity and intelligence she conveys, or the way her good looks have always been further enhanced by the ever-present twinkle in her eyes or the wisdom you sense behind those orbs.

For a lot of filmmakers, their first goal is to be successful and make some money. But once people start doing that, the real goal is then to win an Academy Award. Because when they do, they know that their obit is going to start out, "Academy Award winner so-and-so."

I think one thing that always attracted me to movies was the personalities. I went to movies not because the stories necessarily appealed to me, but because of the people in them.

I'm very enthusiastic about the Academy Awards because if there were no Oscars, we wouldn't have as many good movies as we do have.

Of all the jaw-droppingly beautiful women who've become genuine movie stars, none has had a longer film career (62 years), has been filmed in Technicolor more often (34 times), has had a more versatile group of leading men (from John Wayne to John Candy) or has spent more time held captive on a pirate ship than our TCM Star of the Month for July, the magnificent red-headed Maureen O'Hara.

There’s something about Olivia de Havilland that has always set her apart from other actresses. Maybe it’s the combination of warmth, sensitivity and intelligence she conveys, or the way her good looks have always been further enhanced by the ever-present twinkle in her eyes or the wisdom you sense behind those orbs.

My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.