I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.

I don't think there is any analysis. I don't think anyone knows why people like [The Twilight]. I don't think even the fans know why they connect with it in the way they do. It's a visceral thing.

I'd love to be able to fit in a box. Like one of those people who fit into small boxes. I'd love it.

I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .

People would be in hysterics if they saw that. It's like, wow, he's a superhuman moron.... So he wears lipstick, has a little bouffant, and does little circus acts as well. Oh, he's so sexy.

My dream job is being a pianist

I look a bit like him.