I think pretty much all people who love each other had some kind of thing at first sight. I mean, there has to be some kind of moment where you, like, feel a different energy around someone.

I didn't want to get stuck in pretty, public school roles, or I knew I'd end up as some sort of caricature.

Every cent that goes to research is changing the lives of patients and their families right now.

The only way to establish any kind of mystique, is to completely shut up and never talk to anyone. And I'm contractually obligated not to shut up.

They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

I don't think there is any analysis. I don't think anyone knows why people like [The Twilight]. I don't think even the fans know why they connect with it in the way they do. It's a visceral thing.

What was the worst thing [making Twiligh]? Playing the part where you can't get hurt and you can't die because there's no framework. There are too many possibilities if you can't die. If you're playing a normal human being, there's always that.