With Eclipse, I felt like I was doing a completely different movie and a completely different character. So, yeah, it was nice and challenging.

Recently I stood in the desert, far out side of L. A., and watched the sun set on a circus tent from 1930. Every where stood animals: elephants, tigers that should be loaded into a steam train. 300 extras in costumes raced around, the modern world had disappeared totally. Although that was totally fake, it still happened directly before my eyes! That was my perfect day. I would be gladly experience that every day. It happens continually to me: It calls itself work. That is wonderful and more than enough.

I'm trying to sign up and do movies that I'll be proud of it. That's kind of how I think about it.

I kind of wish people didn’t know who I am, that I could just lie, say I’m a speechwriter for Obama. This is what I said before Twilight. And then Obama came along and picked up all these young writers. I found out this guy, Jon Favreau — who’s not the actor Jon Favreau — is writing for him. And I was like, Wow, I wonder if the people who thought I was bullshitting at the time are like, ‘Oh my god. That guy! That kid who was drunk in some bar actually wrote the health care bill!’

I used to wear my mom's Wayfarers. When the people of Ray Ban noticed that, they sent me a box full of sunglasses, two and a half years ago. Now they're all gone. They've disappeared during trips, many were also stolen from me, the rest I lost again and again. Now I have only one pair left.

I look a bit like him.

If I go and try to watch a movie by myself I'll be completely transfixed the whole time, concentrating one hundred percent. But if I'm with another person on a date or something, within two minutes I'll be like 'This is rubbish, this is rubbish. We should leave and do something else.' I don't really know why.