It's supposed to feel totally foreign [to play in a series], every single time. But, going back for another go at it is good, on the one hand, but it's also bad, on another hand, because your ideas dry up sometimes, and also you get lazy sometimes because you're around the same people.

I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.

I'm always shocked by the people who I'm attracted to. It's always completely random. I generally like people who are a bit crazy but yeah, that's pretty much my only prerequisite.

Sometimes I think, 'To hell with acting' and then I realize I could be working at a shoe shop. Acting is much cooler.

If it's just screaming - and I know this sounds so ridiculous - that gets old. But sometimes when there's literal chaos, it's like being in a war zone, and that's kind of exciting. You're just running through the crowd of people chasing after you and no one knows what's going on.

The other night I went out to have dinner in a London pub and the barmaid had this whole conversation saying, 'You look just like that guy from Twilight'. Every time she came up, she said something like, 'You literally could be his brother'. But she never put two and two together.

There's a thing, in general, about doing any kind of series, especially when the characters remain the same, to go back and try to improve whatever you did in the last movie, which never happens.