There's a thing, in general, about doing any kind of series, especially when the characters remain the same. It's just that you can go back and try and improve whatever you did in the last movie, which never happens. That tone or work ethic is nice.

It's always been strange to me that someone can say they're a vampire fan. I'm not a non-fan, but it's such an unusual thing to be a fan of. That's like saying, "I love zombie movies! I just love 'em! They're my favorite!" That's more of a psychological problem than being an actual fan.

I don't know, just scripts randomly appeal to me. I'm not looking specifically at any genre.

I don't know. I'd like to think that I haven't changed that much. Within myself I don't think I've changed.

I didn't want to get stuck in pretty, public school roles, or I knew I'd end up as some sort of caricature.

They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

The script changed so much over seven months and just had loads and loads of re-writes. I tried to tailor things to what I was interested in, like the relationship with the dad changed quite a lot because I thought one of the things when you're a young guy one of your biggest fears is this irrational fear of walking in your dad's footsteps and living the same life as him. I thought, even if your dad's a good guy, you just want to assert your independence on everything and it causes these irrational sort of rages.