There's a thing, in general, about doing any kind of series, especially when the characters remain the same. It's just that you can go back and try and improve whatever you did in the last movie, which never happens. That tone or work ethic is nice.

I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie.

I don't know [what things are forever]. Friendship. I can think of lots of things.

It makes me feel like working non-stop: at least, on sets, the level of security gives me a bit of privacy. It's a relief.

Now listen, guuuyyysss! Come on guys. Let's all, come on, let's be simple about this.

I don't even know if Stephenie [Meyer] could tell you why she was so fixated on [Twilight] very, very contained story about these very obsessive characters. It's just an anomaly.

You can make five massive hits in a row and still not get cast by the directors you want to work with, doing little movies. There are no guarantees. I'm trying to sign up and do movies that I'll be proud of, if it's my last one. That's how I think about it.