I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.

I hate people who cry around me. I'm not friends with them anymore. Especially girls. Cuz girls are crying all the time. It's like, 'Shut up.'

My dad said to me the other day, I really am an artistic person. I was shocked as I never saw him as a creative. I think me and my sisters are living out that side of him as my sister is another creative person, she's a songwriter.

You really, really feel like you have no control [participating in franchise] . I mean, it's a huge juggernaut, especially when something becomes part of the cultural landscape in a way as well. It's really scary because you get trapped and you get scared of changing, which is the worst thing that can happen if you want to be any kind of artist.

Since the day I finished shooting there's been at least one person come up to me every single day and then after the trailer came out, at least four. It's absolutely bizarre to me. This was before there was any systematic promotion of the movie. It's just completely nuts.

I have to look over my shoulder all the time, be really vigilant because at any moment, someone could be filming me or recording what I'm saying.

The only thing that you can do is do jobs and see if people respond to that. I'm always holding onto the fact that I don't really know who I am. Hopefully I won't compartmentalize myself because of that, because I'm completely ignorant of the whole.