I think so much of a director's job is just to convince you that what you're doing is worthwhile. "Yes, this does mean something, we're not just messing around." Even though at the end of the day it's a film. But at the time it's something else. I don't feel like I'm making a film, I'm confronting things in myself. I don't know what it is. So if someone is enthusiastic enough to convince you that it's important it's kind of magical.

I wasn't at all focused on school, and I didn't achieve much. But I've got a sense of urgency now. I feel I can't let any more time waste away.

If I had known that this movie would bring so much craziness, I don't know if I would have said 'yes' to the Twilight Saga. I never asked to be a poster-boy.

This is crazier and louder than I was prepared for. With every week, the fervour and anticipation seem to grow. People know my name and ambush me in public and try to figure out what hotel I'm staying at and ask me to bite them and want to touch my hair.

There is a price, which you have to pay. You are 24 hours on the job, if you go out in public.

I go through fan mail myself, but I think I might get them censored, because I'm always expecting to get the one thing that says, 'I know where you live and I'm going to kill you!' I'm always expecting that to come, but it never seems to arrive. I never get any negative mail, so someone must be censoring them.

Alot of peo­ple think our lives are all about tak­ing pic­tures and stuff like that. But it becomes a real bother when they're tak­ing pic­tures of you all the time.