They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

I would. I'm just too, I'm kind of, a pussy, I guess. That's the problem. But, no, I'd love to. I think everybody should do open mics. I think it's very healthy for your soul. So yeah, I'd love to do it again, but I don't know. It's like I'm cutting a record if I do open mic now, so, I don't know.

I don't listen to anyone else. That's why I don't have a publicist or something like that. I can't stand it if someone's trying to tell me to do something which might be a mistake sometimes.

In this scene, I'm talking about how much I don't like cookies.... I'm sayin', 'Listen, guys. Have you read the book? We're not supposed to be eating.'

It's insane. I've had girls throwing themselves at me since the hype started. Now the film's out I can't walk down the street without being pounced on. All my life I've hated crowds. Now I only have to step outdoors and I'm at the centre of one. It's very cool but it's very uncomfortable too.

When I was 17 until, I don't know, 20, I had this massive, baseless confidence. This very clear idea of myself and how I would achieve success, which involved making decisions. I saw myself picking up the phone and saying 'Absolutely not' or 'Definitely yes.' Having control. Except you have to figure out whether the way you think at 19 or 20 has any value. And eventually I understood, with all that control, which was probably illusory, I wasn't progressing. So now I'm relinquishing a bit. I'll be a tiny bit naked.

It makes me feel like working non-stop: at least, on sets, the level of security gives me a bit of privacy. It's a relief.