I don't think there is any analysis. I don't think anyone knows why people like [The Twilight]. I don't think even the fans know why they connect with it in the way they do. It's a visceral thing.

I'm just scared of crowds. I just think people require things of me whenever there's a screaming crowd, and I always think I won't be able to provide what they want, so that's why I look scared all the time.

This thing with everyone knowing you it’s weird, because people have this one-sided relationship where they look at your picture and feel they know you more than someone they actually know. I don’t really know myself that well.

You're trying to play someone [Edward Cullen] who's seen by a lot of people as being this perfect thing, but what is that? That doesn't really mean anything. You're trying to play an archetype on one hand and then a character on the other, so I felt insanely frustrated right up until the last shot, and then it ended.

Your ideas dry up sometimes, and you get lazy sometimes 'cause you're around the same people. That was the good thing about having different directors. You had to stay on your toes.

I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.

What worries me the most is that I don't know when my patience will run out, when I'll finally do something really stupid. Wait and see.