I still had the same frustration with trying to play [Edward Cullen], the entire way through, right up until the last shot. It's a strange part because, on the one hand, a lot of the audience projects their idea of Edward[Cullen] onto him. It doesn't matter what he is. They want him to be a certain way. And then, my instincts were to try and play it and to try to find the fallibility in him and the weaknesses.

It's insane. I've had girls throwing themselves at me since the hype started. Now the film's out I can't walk down the street without being pounced on. All my life I've hated crowds. Now I only have to step outdoors and I'm at the centre of one. It's very cool but it's very uncomfortable too.

The special effects team designed everything, which basically allowed me to stand on a green box and look and stay relatively expressionless and all these machines did the acting for me. Just the way I like it (laughs)

I don't know what to say to people. It's become so big. It's become part of the cultural environment. For the first and second Twiglight, I knew exactly what to say to people. If you don't know what the story is by now, then you've probably never been to the cinema before. How about, "Why not go to the cinema for once?" I don't know.

In public, I hardly ever show feelings. That's what happens when everything you do is put under a magnifying glass. But if you've spent some time hiding behind your public mask, and you're back in your own environment, then all that suppressed emotions still has to be set loose. As a result you are going to behave like a nutcase. I think thats why so many people who are famous go nuts.

I learned that if a relationship is honest, it can last through anything despite all the challenges we have to face and everything that happens around us.

I have very, very low expenditures, but still I manage to spend it all. I guess Hot Pockets are more expensive than I thought.