The poet is in the end probably more afraid of the dogmatist who wants to extract the message from the poem and throw the poem away than he is of the sentimentalist who says, "Oh, just let me enjoy the poem."

History is not melodrama, even if it usually reads like that.

The end of man is knowledge, but there is one thing he can't know. He can't know whether knowledge will save him or kill him. He will be killed, all right, but he can't know whether he is killed because of the knowledge which he has got or because of the knowledge which he hasn't got and which if he had it, would save him.

A symbol serves to combine heart and intellect.

[A]nd soon now we shall go out of the house and go into the convulsion of the world, out of history into history and the awful responsibility of Time.

The poet is in the end probably more afraid of the dogmatist who wants to extract the message from the poem and throw the poem away than he is of the sentimentalist who says, "Oh, just let me enjoy the poem."

All I've tried to do (with my writing) is capture the essence of my time.