The image that fiction presents is purged of the distractions, confusions and accidents of ordinary life.

Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.

I heard somebody open and shut the gate to the barn lot, but I didn't look around. If I didn't look around it would not be true that somebody had opened the gate with the creaky hinges, and that is a wonderful principle for a man to get hold of... What you don't know know don't hurt you, for it ain't real. They called that Idealism in my book I had when I was in college, and after I got hold of that principle I became an Idealist... If you are an Idealist it does not matter what you do or what goes on around you because it isn't real anyway.

A young man's ambition - to get along in the world and make a place for himself - half your life goes that way, till you're 45 or 50. Then, if you're lucky, you make terms with life, you get released.

The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.

It all began, as I have said, when the Boss, sitting in the black Cadillac which sped through the night, said to me (to Me who was what Jack Burden, the student of history, had grown up to be) "There is always something." And I said, "Maybe not on the Judge." And he said, "Man is conceived in sin and born in corruption and he passeth from the stink of the didie to the stench of the shroud. There is always something.

For what is a poem but a hazardous attempt at self-understanding: it is the deepest part of autobiography.