If a poem is written well, it was written with the poet's voice and for a voice. Reading a poem silently instead of saying a poem is like the difference between staring at sheet music and actually humming or playing the music on an instrument.

I have always been thinking about the sounds and shades and aromas of words - fitting them together or disrupting their customary march - more or less every second of my life, waking and sleeping.

An artist needs not so much an audience, as to feel a need to answer, a promise to respond... a good feeling about his art.

Sometimes the ideas that mean the most to you will feel true long before you can quite formulate them or justify them.

The last thing a young artist should do in poetry or any other field is think about whats in style, whats current, what are the trends. Think instead of what you like to read, what do you admire, what you like to listen to in music. What do you like to look at in architecture? Try to make a poem that has some of those qualities.

In the particular presence of memorable language we can find a reminder of our ability to know and retain knowledge itself: the brightness wherein all things come to see.

The medium of poetry is a human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is just as physical or bodily an art as dancing.