Each album has a different atmosphere. The third album and Houses of the Holy seem to be the two albums that people didn't get off on quite as strongly as the other ones. But I think they contain the basic ingredients for the further pursuance of what we're doing... the turning point to relieve the tedium of repetition.

Kashmir is my last resort. I think, if I truly deserve it one day, I should go there and stay there for quite a while. Or if I really need it at any point, it should be my haven, my Shangri-la.

I listen to the crowds [laughs]... I like Blind Melon very much.

It's a two-dimensional gig being a singer, and you can get lost in your own tedium and repetition.

You have nothing. One should never allow themselves to think that they have, one can just touch - to have is to lack appreciation, to touch is to want to touch again.

Possibly the whole creative whirlwind of any musician's life is based on garnering and developing and absorbing more and more experience.

It's OK to quote from your past. But I'm more interested in quoting from my present and pointing towards the future.