I'll just carry on being a dated flower child.

The 50s were great because I collected stamps.

My sort of stability as a character, it's never been one of my strongest attributes. I'm a bit of a clusterf*ck. I get so many great ideas that I kind of mesmerize people with another plan before the previous plan is hatched out.

I think I surprise myself.

You have nothing. One should never allow themselves to think that they have, one can just touch - to have is to lack appreciation, to touch is to want to touch again.

I love the feeling of letting fly, of pushing as far as I could go with my voice. The only way you can really graduate how you do it is by doing it regularly to people who don't have to be super impressed. You can do it in the studio all day long but you don't get the flashback that you get onstage.

There are always generic terms like 'Americana', but there are no boundaries as to where it can go.