It's amazing, it's pumping, it's furious, it's anxious, it's happy and it's far more real than anything you'll ever experience in a Western city. Morocco is a living, pulsating entity which is rapidly changing all the time but there are parts of Marrakesh that carry on as they have done for a thousands years. The music is a reflection of that, of all times and all religions and of all the natural expectations and conditions of the people who live there.

It's a shame to see these young chicks bungle their lives away in a flurry and rush to compete with what was in the old days the goodtime relationships we had with the GTOs and people like that. When it came to looning, they could give us as much of a looning as we could give them. It's a shame, really.

You know sometimes words have two meanings.

I hate cliché. And when you're a rock singer in 1966, or whatever it was, psychedelic blues, through to the '70s, which we know all about, and the '80s, which was a scramble to hang on in, and the '90s, which was a great time for experimentation... and I'm really still excited. The huge vast diagonals within the music that I've been involved with.

I absolutely adore and idolise women. All women. I think they are all amazing. The female musicians I've met have been far more inspiring than the male ones. Women tend to be much more creative and ambitious. I think I may have been a woman in a past life.

My sort of stability as a character, it's never been one of my strongest attributes. I'm a bit of a clusterf*ck. I get so many great ideas that I kind of mesmerize people with another plan before the previous plan is hatched out.

I have no story. My story goes from day to day.