Possibly the whole creative whirlwind of any musician's life is based on garnering and developing and absorbing more and more experience.

I owe everything to the musicians I work with.

I like to make my voice sound like a piece of tin that's been stuck on the side of a chair, lifted up as far as it would go and then let to spring - "doooiiinng." I like to make it into a piece of metal from time to time and I can do it, both with the movements in my throat and with, uh, my little toys... So I like to take it beyond just a voice, more into the realms of a weapon.

I don't see what the point is in growing up.

The States were much more fun. L.A. was L.A. It's not L.A. now. L.A. infested with jaded 12-year-olds is not the L.A. that I really dug.

Some audiences can shake and bang their heads on the stage to riffs all night long, but subtlety is an art that must be mastered if you're going to be remembered.

It's part of me to get off on those moments where... well, what people would call attention. Obviously, that isn't the be-all and end-all of life, but at the states of creativity that I've reached, well, it helps the lyrics along a little bit.