Music is for every single person that walks the planet.

It's part of me to get off on those moments where... well, what people would call attention. Obviously, that isn't the be-all and end-all of life, but at the states of creativity that I've reached, well, it helps the lyrics along a little bit.

I like to make my voice sound like a piece of tin that's been stuck on the side of a chair, lifted up as far as it would go and then let to spring - "doooiiinng." I like to make it into a piece of metal from time to time and I can do it, both with the movements in my throat and with, uh, my little toys... So I like to take it beyond just a voice, more into the realms of a weapon.

There's a similarity between European and North African folk musics.

I'm just lucky because my kids are grown-up - I love them, very proud of them, and we are in close contact as big-time friends, but they don't need me that much now and I can actually enjoy this wonderful world of music.

Circumspection is not one of my better, favorite conditions, really.

I'm not trying to be cosmic, it's just that everything's on a roll and that's how it is. The songs within the album discuss that very condition.