I don't like masterpieces having one-night stands in collectors' homes between auctions.

There was something about the self-confession and self-confusion of Abstract expressionism - as though the man and the work were the same - that personally always put me off because at that time my focus was in the opposite direction.

And all of this, all these physical aspects of painting at that time excited me very much. You could do a picture in just black and white. I mean all the things, whether you're soliciting permission or not, do give you permission

I don't think he (Joseph Albers, fh) ever realized that it was his discipline that I came for. Besides, my response to what I learned from him was just the opposite of what he intended.. ..I was very hesitant about arbitrarily designing forms and selecting colors that would achieve some predetermined result, because I didn't have any ideas to support that sort of thing - I didn't want color to serve me, in other words.

There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.

And I think a painting has such a limited life anyway

I always have a good reason for taking something out but I never have one for putting something in. And I don't want to, because that means that the picture is being painted predigested.