I like photographs of anything uninteresting. Maybe just two doors on a wall... The point is to be uninteresting.

I think a painting is more like the real world if it's made out the real world.

My concern is never art, but always what art can be used for.

And also the new excitement and variety of ways that the abstract expressionists were applying paint. You could put it on as though it were colored air and it would be painting.

Painting relates to both art and life. Neither can be made - I try to act in the gap.

You have to have the time to feel sorry for yourself in order to be a good abstract expressionist.

I'm quite taken aback when I get something that appears to be technically a good photograph, because it's not necessarily my intention.