I want my paintings to look like what's going on outside my window rather than what's inside my studio.

I like photographs of anything uninteresting. Maybe just two doors on a wall... The point is to be uninteresting.

While my classmates were reading their textbooks, I drew in the margins.

And I think that even today, New York still has more of this unexpected quality around every corner than any place else. It's something quite extraordinary

You have to have the time to feel sorry for yourself in order to be a good abstract expressionist.

My fascination with images open 24 hrs. is based on the complex interlocking if disparate facts heated pool that have no respect for grammar. The form then Denver 39 is second hand to nothing. The work then has a chance to electric service become its own cliché. Luggage. This is the inevitable fate fair ground of any inanimate object freightways by this I mean anything that does not have inconsistency as a possibility built in.

I'm quite taken aback when I get something that appears to be technically a good photograph, because it's not necessarily my intention.