My art is about paying attention - about the extremely dangerous possibility that you might be art.

I am sick of talking about What and Why I am doing. I have always believed that the WORK is the word. Action is seen less clearly through reason. There are no shortcuts to directness.

You begin with the possibilities of the material.

So that ideas of sort of relaxed symmetry have been something for years that I have been concerned with because I think that symmetry is a neutral shape as opposed to a form of design.

Photography is the most direct communication in non-violent contacts.

I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.

You can't make either life or art, you have to work in the hole in between, which is undefined. That's what makes the adventure of painting.