People are finally able to look around and say, 'I can see the drought, I can see the rising sea levels, I can see the crops dying. Okay, now I get it.' It is finally beginning to sink in that there has been a lot of damage.

Once the festival achieved a certain level of notoriety, then people began to come here with agendas that were not the same as ours. We can't do anything about that. We can't control that.

The way I deal with arthritis is to keep moving. As long as I can play hard tennis, as long as I can ski or ride a horse - all kinds of things can come your way. As long as you can, do it. People who retire die. My dad retired and died shortly after. Just keep moving.

I don't remember spending any time with anybody on set. I don't spend a lot of time with people.

I'd been influenced by reading books on art and colonies that existed in Paris and places like that and so when I came to Europe I came to France and I had very little money, and I had to live low and stayed in a bohemian section of Paris with a lot of other students, who were from medical school, science school and art school. We all lived in a kind of communal way and I was challenged politically, because I didn't have a clue and they would ask me questions about the Algerian War, which was very big in France in the late '50s.

Whenever there's chaos, there's ambiguity, and where there's ambiguity, there's fear. And fear gets manipulated.

I don't see myself as beautiful. I was a kid who was freckle-faced, and they used to call me 'hay head.'