I enjoyed working with Dustin Hoffman. That was really fun. He decided that to really be effective as Woodward and Bernstein, considering their differences, we should spend some time together. Because Dustin and I were very different.

People are finally able to look around and say, 'I can see the drought, I can see the rising sea levels, I can see the crops dying. Okay, now I get it.' It is finally beginning to sink in that there has been a lot of damage.

I'm not a facelift person. I am what I am.

It's hard to pay attention these days because of multiple affects of the information technology nowadays. You tend to develop a faster, speedier mind, but I don't think it's necessarily broader or smarter.

Not taking a risk is a risk. That's how I see it.

I have a lot of land. I bought it because I had a very strong feeling. I was in my early twenties, and I had grown up in Los Angeles and had seen that city slide off into the sea from the city I knew as a little kid. It lost its identity - suddenly there was cement everywhere and the green was gone and the air was bad - and I wanted out.

All my life I've been dogged by guilt because I feel there is this difference between the way I look and the way I feel inside.