In a novella, a whole lot of crap can happen, and you can build momentum and suspense and leave room for a surprise or three. Stories are cut down to the most essential elements, and novels (this might be an unfair generalization on my part) are big fat clumsy efforts where the reader can snooze for a couple chapters and miss nothing of consequence. Hence my love for the middle way.

Science fiction is really a rather tiny business compared with its giant cousin, which is fantasy.

A community that learns together excels together. We need to form communities that learn together.

I'm the only member of SFWA in Nebraska, but I don't pine away for the companionship of other science fiction writers. I [go] to very few conventions. I'm quite willing to be that eccentric who has a very odd job, quite happy to be the only science fiction writer in town.

It has often been said that [...] the Japanese [are] geniuses at taking foreign ideas and adding a unique finishing touch.

Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.

I don't believe people let things slide away. It's the nature of the universe that everything dissolves into oblivion and by every route possible, but human beings invest a lot of cleverness trying to cling to past events, real or imagined. And because we can't succeed, we get angry and frustrated and feel guilty. Except the Buddhists.