I'm the only member of SFWA in Nebraska, but I don't pine away for the companionship of other science fiction writers. I [go] to very few conventions. I'm quite willing to be that eccentric who has a very odd job, quite happy to be the only science fiction writer in town.

I would like to say that I have software that allows me to model worlds to a high degree of scientific plausibility. I'd also like to be six foot two and fifteen years into my reign as Emperor of Europa. The simple truth is that past the character's name and a long history of making my own body cover distances, I did very little in the way of targeted research.

2001: A Space Odyssey was a wonderful conundrum when I was a boy, with its giant concepts thrown across the giant screen at Indian Hills Theater. That movie woke me up in ways that I hadn't imagined, and I went searching for book versions of the same drug.

Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.

It has often been said that [...] the Japanese [are] geniuses at taking foreign ideas and adding a unique finishing touch.

A favorite science fiction writer of mine is William Faulkner! It was an idea that came to me once, years ago, and I've never quite been able to shake it. This is facetious, on one level at least. There are telepaths in As I Lay Dying. But I think the most compelling thing for me is there are moments with him where I just feel these are not humans talking to each other. These are some hyper-intelligent, yet-to-be-born organisms. The way they look at the past without having any loss of knowledge – everything that ever happened is still here.

Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.