Occasionally, I'll dream I'm in the factory. That will help me write. Not creatively, but more like a prod. I don't want to go back there.

In a novella, a whole lot of crap can happen, and you can build momentum and suspense and leave room for a surprise or three. Stories are cut down to the most essential elements, and novels (this might be an unfair generalization on my part) are big fat clumsy efforts where the reader can snooze for a couple chapters and miss nothing of consequence. Hence my love for the middle way.

I wrote when I was a young teen, but I didn't put an eye on the available markets until I was seventeen. The next ten years felt like a self-centered experiment in personal abuse.

I'm astonished how little fright I have of my own imagination. It really does baffle me that I don't get more scared because I'm capable of thinking up things that are so awful. On any given day I can imagine the worst.

A community that learns together excels together. We need to form communities that learn together.

A favorite science fiction writer of mine is William Faulkner! It was an idea that came to me once, years ago, and I've never quite been able to shake it. This is facetious, on one level at least. There are telepaths in As I Lay Dying. But I think the most compelling thing for me is there are moments with him where I just feel these are not humans talking to each other. These are some hyper-intelligent, yet-to-be-born organisms. The way they look at the past without having any loss of knowledge – everything that ever happened is still here.

I would like to say that I have software that allows me to model worlds to a high degree of scientific plausibility. I'd also like to be six foot two and fifteen years into my reign as Emperor of Europa. The simple truth is that past the character's name and a long history of making my own body cover distances, I did very little in the way of targeted research.