A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.

The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.

History is representational, while time is abstract; both of these artifices may be found in museums, where they span everybody's own vacancy

Let's face it, the human eye is clumsy, sloppy, and unintelligible when compared to the camera's eye.

Language thus becomes monumental because of the mutations of advertising

A vacant white room with lights is still a submission to the neutral. Works of art seen in such spaces seem to be going through a kind of esthetic convalescence.

History is a facsimile of events held together by finally biographical information.