Questions about form seem as hopelessly inadequate as questions about content.
The slurbs, urban sprawl, and the infinite number, of housing developments of the postwar boom have contributed to the architecture of entropy.
Art history is less explosive than the rest of history, so it sinks faster into the pulverized regions of time.
Art's development should be dialectical and not metaphysical.
Language thus becomes monumental because of the mutations of advertising
Cultural confinement takes place when a curator imposes his own limits on an art exhibition, rather than asking an artist to set his limits.